![]() Her anger is so fierce that the viewer becomes slightly scared by her: her manic fits of rage where she plasters herself in red lipstick her bizarre paroxysms fueled by numerous cocktails. Their separation is exactly what Lula's crazed mother wants, as she believes that Sailor is a cold-blooded murderer who is putting her daughter in danger. The two protagonists, Sailor and Lula (Nicholas Cage and Laura Dern) are so in love with each other that they'd go to extreme lengths not to be separated. This is simultaneously a thrilling road movie and a revelation of small town, American country folk. One which has so much impact and so much individuality to it's merit that it turns out to be one hell of a movie. This kind of high-octane violence which is fueled by maniacal characters and deranged intervals creates a fantastic effect. Heads are rammed against walls, fists are lunged into guts and what results is a brutally bashed corpse with brains pouring out of it's head. ![]() Definitely it would be the worst movie for those interested in entering Lynch's filmography, although fans of the director will not only know what to expect from this feature-length film, but will also see his most ambitious, grotesque, sublime, and deliciously confusing and impenetrable work.The opening scene to Wild At Heart features Nick Cage ferociously beating an assassin to death. The result is a challenging three-hour footage that follows a similar line to 'Por el lado oscuro del camino' ('Lost Highway') and 'Sueños, misterios y secretos' ('Mulholland Drive') -unofficially forming the 'Trilogía de Los Ángeles'-, interweaving various nightmarish stories whose relationships between them are abstract at best, filmed in digital video format that exalts its delirious aesthetics. ![]() It is also David Lynch in his most "lynchian" mode, offering here what appears to be a story of an actress (Laura Dern) who, when submitting to filming the remake of an unfinished and supposedly cursed movie, gradually loses her contact with reality. David Lynch 2006 With totally and absolutely surreal aspirations that discard all traditional narrative logic, 'El imperio' ('Inland Empire') is, so far, the last feature-length film by David Lynch ('Eraserhead'). ![]()
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